In the second part the author offers an alternative to the intellectual tradition described in the first part. The idea of depiction as a neutral "view from nowhere" would support a skeptical attitude towards communication, dialogue and human testimony, and therefore our reliance upon each other and consequently our reliance on ourselves. What was forgotten in this understanding of the image as a view from nowhere, was that the image is an aid in the task cultivating our visual field, an aid in sharing our views. Due to this function of sharing, the image ads a dimension to this relation, since it does not only show me what the other sees. When an image works properly it also shows how that other person sees, and thus the image becomes an agent.
While the present thesis compines the fields of philosophical epistemology, history of science and visual studies, its main interest is philosophical. It engages with philosophical misconceptions of depiction as a mimetic art form, of knowledge as domestication and of perception as reception of data.
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