The Pedagogy of Recognition (Pehmeäkantinen kirja)

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This dissertation describes an educational space in which the questions of identity as well as mutuality are brought to the fore. It concerns a dance animateuring project called Katiska, which started in summer 2007 in Finland.

Dance animateuring refers to the practice of artistic creation, where the steps of the dancers originate not from a choreographer, but from collaborative improvisatory work by performers under the guidance of an animateur. Dance animateuring means dance activity which aims to celebrate every person's own natural way of expression through movement. Therefore the purpose of dance animateuring is not to achieve a mastery of any particular dance technique or style, but rather to discover everyone's own expressing, moving, living body. On the other hand, through body and movement, a specific theme can also be investigated. By increasing body awareness, dance animateuring aims to dig deeper into the means of identity and self and by doing so, support the growth of humanity. Dance animateuring intertwines the body and the mind; therefore it is an attempt to return to the understanding of humans as holistic beings.

The artistic exploration was built on a marked interest for the emancipation of the suppressed voices of young men. It was guided by the question: What would these young men tell about themselves? The answer to this question was presented through movement and music in Katiska, which premiered on the 8th of May 2008 in Tampere, Finland.
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